Golden A' Design Award Winner 2020
This photograph presents a commercial interior reception space characterized by dramatic sculptural installation and sophisticated material palette. Scanning from the floor upward, the foreground features expansive flooring in deep charcoal black marble with striking white veining resembling lightning or natural geological fractures, cool and substantial as polished stone beneath one's feet. A sculptural element dominates the left portion of the composition, beginning at floor level as a pooled metallic form approximately two meters in diameter, its surface rippled like disturbed mercury, from which rises a slender vertical column of identical polished metal perhaps four meters tall, tapering to a point where it touches the ceiling, the entire form suggesting an impossibly reversed water droplet frozen mid-rise, its surface mirror-bright and cool to imagined touch. The ceiling spanning the full width above presents a remarkable textured treatment in matching metallic finish, its surface undulating with water-ripple patterns that catch and scatter light, creating the impression of viewing a liquid surface from below, suspended approximately four meters overhead. The middle ground features a minimalist reception desk in matte white finish, rectangular and substantial, occupying perhaps one-quarter of the floor space at center-right, with subtle technological equipment barely visible upon its surface. Behind the desk, a wall of warm gray metallic panels provides corporate identification in dimensional lettering. To the far left, a vertical white panel creates bright contrast against the metallic surfaces. The overall illumination feels cool and diffused, emanating from concealed perimeter sources creating a soft glow where walls meet ceiling, supplemented by focused spotlights mounted on black fixtures. The atmosphere suggests profound stillness and contemplative quiet, a space existing outside ordinary time.
The designer modelling the commonly seen arches in Rome, the birth place of laws, the entrance into the working area is created using a similar concept, hence bringing a sense of holiness and solemnity. Behind this aisle lighted by the buried lamp, is the office, with the color of white widely used in this space, and with the blue carpet on which waves shapes are used, to symbolize the blue and white clouds in the sky.