Silver A' Design Award Winner 2025
A large square digital screen occupies the center of an outdoor plaza, displaying an abstract luminous form against a deep black background. The displayed artwork presents what appears to be a crystalline bloom, a complex three-dimensional form composed of many angular faceted planes radiating outward from a central core. Scanning from the upper left of this digital form, warm magenta and carmine tones dominate, colors with the richness of ripe berries or sunset clouds, these faceted surfaces catching light like cut gemstones. Moving rightward across the form, the colors transition through delicate rose pink, the soft warmth of cherry blossoms, into creamy ivory and pearl white, cool and luminous like morning light on fresh snow. The lower portion of the form incorporates touches of seafoam and pale aquamarine, bringing cool freshness like shallow tropical waters. Beneath and trailing from the main crystalline mass, hundreds of tiny luminous spheres scatter across the black ground, varying in size from pinpoint dots to small glowing orbs, creating the impression of the form dissolving or transforming, like dandelion seeds catching light as they drift. The overall shape suggests approximately equal height and width, occupying perhaps two-thirds of the screen's central area. Beyond the screen, the installation setting reveals an elegant plaza at night. The screen stands on a simple dark base centered on a floor composed of large tiles in warm terracotta brown and cool slate gray arranged in geometric patterns. Flanking the screen at equal distances, two dark angular planters sit beneath globe-shaped lamps emitting warm yellow light. Mature trees with silvery-green foliage frame the scene on both sides. In the background, classical architecture rises, featuring symmetrical facades with warm stone coloring, illuminated windows, and decorative dormer windows on upper floors. The atmosphere feels serene and sophisticated, the digital artwork creating a point of contemporary luminosity within traditional surroundings.
This work is an animation that visually depicts the process of pixels being broken down and reconstructed. The idea for the work began when the artist, a printmaker, wanted to create a landscape print and wondered if he could achieve color separation through coding. The pixels appear like cells, moving to form new shapes and colors, embodying the Japanese concepts of Kasane (layering) and Zurashi (shifting). They also symbolize the various transformations a person can undergo, expressing diversity and fluidity throughout the work, and reflecting the intersection of tradition and technology.