Silver A' Design Award Winner 2023
Scanning this carefully arranged still-life photograph from background to foreground, the composition presents a collection of branded stationery and promotional materials arranged on a light gray surface with dramatic pattern elements creating visual depth. The background features a flat patterned surface covering approximately two-thirds of the image area, displaying horizontal stripes in cool gray tones interrupted by thin black vertical lines and small black circular dots at regular intervals, creating a rhythmic textile-like texture. Rising from the right side, a large curved form resembling a quarter-sphere or architectural dome carries the same pattern but rendered in reverse tonality with white lines against deep black, creating striking visual contrast and suggesting smooth, cool ceramic or coated paper material. In the upper left corner, a triangular portion of warm terracotta or rust-colored paper emerges, introducing warmth like sun-baked clay against the cooler pattern field. Moving to the middle ground, a sky-blue envelope stands vertically at center-left, its surface smooth as crisp cotton paper, bearing black typographic elements in vertical arrangement suggesting East Asian characters. Flanking this blue element, two disposable cups rest at left: one white with black pattern band, one black with matching white pattern, both suggesting the slightly waxy texture of coated paper containers. A substantial black ceramic mug with white geometric stripes sits prominently, its surface glossy and cool like polished stone. Bright golden-yellow paper sheets span the lower third horizontally, warm as sunshine, creating a platform for additional objects including a black ballpoint pen, writing instruments in yellow and blue, rolls of patterned adhesive tape, and small yellow cards bearing the institutional mark. The overall impression suggests professional precision and creative energy unified through systematic visual thinking.
The Sejong Center for the Performing Arts is an old public institution that opened in Seoul in 1978. What is special about this identity design is that it tried to break away from the existing logo design of Korean public institutions. These attempts are a new combination of the old and the recent, and Hangul itself serves as a symbol. In particular, the use of Hangul as a logo is appealing to the younger generation as a new retro with boldness that is rarely seen in South Korea. In addition, beyond the logo, it was designed with various senses through typefaces, clothes, and books.