Platinum A' Design Award Winner 2022
This furniture design presents a sculptural seating element constructed through laminated wood technology, photographed from an elevated three-quarter viewpoint that reveals the object's complex curved geometry and layered material structure against a smooth neutral surface. Beginning with overall orientation, the stool form rises from the lower left portion of the frame, extending diagonally toward the upper right, creating a dynamic composition that emphasizes the piece's flowing sculptural qualities rather than presenting it in static frontal alignment. The construction consists of numerous thin wood layers, perhaps forty to fifty individual veneer sheets, stacked horizontally and bonded together, each layer visible as a distinct horizontal band approximately two to three millimeters in thickness, creating a rhythmic pattern of parallel lines that undulate across the form's curved surfaces like topographical contours mapping elevation changes across a landscape. Moving through the spatial description from bottom to top, the base of the stool where it would contact the floor appears as the most compressed section, the laminations tightly packed and running nearly horizontal, establishing a stable foundation measuring perhaps thirty centimeters in width. As your mental hand traces upward along the form's rising diagonal trajectory, the lamination stack begins to curve outward and upward, each successive layer projecting slightly beyond the one below, creating a cantilevered expansion that swells the form's volume while maintaining the horizontal grain orientation of the wood layers. The colors throughout present as warm and inviting, ranging from pale cream blonde suggesting maple or ash in the lighter laminations, through medium amber and honey tones reminiscent of oak or beech, to deeper caramel and cinnamon browns approaching the warmth of walnut in the darker bands, all finished to a smooth satin surface that would feel like polished wood grain under fingertips, the texture slightly tactile with the subtle ridges between laminations creating gentle horizontal striations you could feel if running your hand across the form. The lighting in this presentation comes from diffused sources without harsh directionality, creating even illumination that might feel like standing in a bright room with large windows on an overcast day, the gentle light revealing the three-dimensional curves through subtle tonal gradations where convex surfaces catch slightly more light and feel visually warmer, while concave areas recede into slightly cooler shadows without becoming dark, the overall effect suggesting the quiet warmth of afternoon light in a gallery space. The background surrounding the stool reads as cool neutral gray, smooth and matte like concrete or fine plaster, providing temperature contrast to the warm timber tones and creating visual separation that helps the eye trace the stool's organic edges and flowing silhouette. The topmost visible surface, which would serve as the seating area, appears as a gently curved platform formed by the uppermost laminations, the wood grain running perpendicular to the viewing angle, the surface broad enough to suggest comfortable seating capacity, perhaps forty to fifty centimeters across at its widest point. Throughout the form, the precision of alignment between individual laminations creates visual rhythm and structural integrity simultaneously, each layer edge crisp and cleanly finished, the overall impression being of meticulous craftsmanship where material, form, and making process achieve elegant synthesis.
Inspired by the DC 3 aircraft, the stool's concept refers to the aerodynamic lines of the monoplane. Using boards of plywood through a precision cutting process that reveals the different lines of each layer, the DC 3 stool has a structural support that becomes a pleasant visual detail. The stool with a sculptural design finds in the apparent edges a way to highlight its lines. There are many ways to interact with the piece. Some might have it as a sculpture ou decoration piece, some might use it as a side table or foot rest or even for its orginal purpose: as a stool.